In May of this year The British Library highlighted the situation regarding it’s Sound Archive (something I had not previously realised the British Library had), and that if nothing is done to preserve it we may loose chunks of our history captured in audio form. The situation is succinctly put on the website, and reads:-
The nation’s sound collections are under threat, both from physical degradation and as the means of playing them disappear from production. Global archival consensus is that we have approximately 15 years in which to save our sound collections by digitising them before they become unreadable and are effectively lost.
- to preserve as much as possible of the nation’s rare and unique sound recordings, not just those in our collections but also key items from partner collections across the UK
- to establish a national radio archive that will collect, protect and share a substantial part of the UK’s vibrant radio output, working with the radio industry and other partners
- to invest in new technology to enable us to receive music in digital formats, working with music labels and industry partners to ensure their long-term preservation.
It has received a huge injection of funds from the Heritage Lottery Fund but still requires donations to further it’s work (you can find out how to contribute here). If you would like to explore some of the archive you can gain access to 60,000 recordings which have been digitised and made available online, here.Currently there is an ongoing project, begun in 2012 and recorded by the BBC, called The Listening Project. I have heard a few of these edited conversations on the radio and they are quite fascinating. The British Library page has this to say about them:-
The Listening Project is an audio archive of conversations recorded by the BBC. People are invited to share an intimate conversation with a close friend or relative, to be recorded and broadcast (in edited form) by the BBC and curated and archived in full by the British Library. These one to one conversations, lasting up to an hour and taking a topic of the speakers’ choice, collectively form a picture of our lives and relationships today.
Whether you interest lies in Classical Music, Oral History, World Traditional Music or the sounds of nature and the environment, there should be something of interest in the archive. There is even a section of images of early play-back and sound recording equipment and early record catalogues from 1898 to 1926! The Listening Project recordings can be found under the Accents and Dialects section or through the link above which goes to the BBC page on the project.This summer there is another audio project, but this time it brings together The British Library sound archive and The National Trust called Sounds of Our Shores:-
What does the UK coastline sound like during the summer of 2015? What are the distinctive sounds of Scottish estuaries, Cornish beaches, the Pembrokeshire coast or a busy seafront? In what ways do these sounds fascinate us, move us or seem important to us?
Sounds of our Shores is a community-led, interactive soundmap which asks members of the public to upload their favourite seaside sounds and help build a permanent digital resource of UK coastal recordings.
If you are near the coast in the UK and fancy contributing to this sound archive just go to the website and read the simple instructions – you can contribute as many recordings as you like, but I think they want something more than just waves crashing on a beach or seagulls screeching, so try to be creative. I happened to be on the stern of HMS Warrior when the America’s Cup boats left Portsmouth Harbour a few weeks ago and caught the vague sound of people as they watched it happen. It’s quite indistinct, except for a woman saying “Pretty good init. Really impressive wan’t it….all come past us like that…” (from about 1.15), you can hear the whole thing here.